Kelly Mark
Working Hard, Hardly Working, 2009
Neon & transformers with cobalt and clear glass and dimmer switch
Source: kellymark.com
Kelly Mark
Exist, 2009
Powder coated aluminum with LED lights
(via Kelly Mark: Sculpture)
Source: kellymark.com
Kelly Mark
It’s Just One God Damn Thing After Another, 2009
Powder coated aluminum
(via Kelly Mark: Sculpture)
Source: kellymark.com
Kelly Mark
Never Let the Truth Stand in the Way of a Good Story, 2011
Rewired fluorescent light fixture, waterjet cut pipe with powder coating
(via Kelly Mark: Sculpture)
Source: kellymark.com
Kelly Mark
Nothing Is So Important That It Needs to Be Made In Six Foot Neon, 2009
Neon & transformers, 6’ x 6’ x 2” approx
(via Kelly Mark: Sculpture)
Source: kellymark.com
Evah Fan
Ump Series, 4 of 4: Hump, 2009
Gouache on paper
Source: potatohavetoes.com
Evah Fan
Holding In, 2010
Gouache on wood
Source: potatohavetoes.com
Evah Fan
Freeze, Series 1-12, 2009-2010
Gouache on paper
Source: potatohavetoes.com
Evah Fan
Accident Prone, 2006
Acrylic on polymer clay
Source: potatohavetoes.com
Evah Fan
Bearded Bat, spread 2, 2011
Gouache on paper
Source: potatohavetoes.com
Evah Fan
Job Seekers, 2011
Gouache on paper
Source: potatohavetoes.com
Evah Fan
The Cook, the Theif and the Pompost Kyle, 2008
Collaborative work with Brendan Monroe
Source: potatohavetoes.com
Evah Fan
Ticks Attack Toes, 2012
Gouache on paper
Source: potatohavetoes.com
Evah Fan
A Tribute to Grandpa, 2010
Gouache on polymer clay
Source: potatohavetoes.com
Lisa Sanditz Lecture at A.I.R. Gallery
Annie Ewaskio and A.I.R. Gallery present:
Artist Lecture with
Lisa Sanditz
Wednesday, May 30, 6:30 - 8:00pm
@A.I.R. Gallery
Frit-o Lay Factory, oil on canvas, 30” x 40”, 2012
A.I.R. 2011-12 Fellowship Artist Annie Ewaskio has invited painter Lisa Sanditz to give an artist talk at A.I.R. Gallery on Wednesday, May 30, from 6:30 to 8:00pm. The talk will include a slide lecture followed by a question and answer period. This event is free and open to the public.
Lisa Sanditz is an American painter who considers the economy’s shifting impact on land use by exploring interactions between built environments and landscape. She employes saturated color, wild scale changes, imaginative perspectives, and paint’s own limitless materiality. Her paintings are bright, sophisticated and engaging images that ask us to give pause when thinking about our surroundings. A “painter’s painter,” Sanditz dexterously manipulates her medium with great, curious glee.
For a press release with more information, please click HERE.
