May 2013
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Situation part 5: Sarah Lucas - encouraging...
Classic Pervery was the penultimate incarnation in the series of perennially provocative exhibitions at Sadie Coles, which singularly and collectively formally document Sarah Lucas’s experimentation. A cock-tail of elements by the pun-prone artist, are assembled, comprising an array of sculptures, various forms cast from concrete, nylon stockings, porcelain toilet bowls, breeze blocks, cigarettes...
April 2013
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Artist suggestions!
Hello followers!
I’m going to get back into regularly updating now that our zine has wrapped up. I want your artist suggestions! Send them all to me. We don’t mind reposting artists if we hadn’t featured much of their work in the past or recently, just double-check our list (that needs to be updated, sorry!) of previously featured artists - http://fyeahwomenartists.com/tags....
mkmeow asked: I just read my copy of Women Artists: Interviews today and it was fantastic. Keep up the good work. I'm so excited to read more :)
March 2013
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February 2013
As you know, we here at fyeahwomenartists are fans of Kickstarter. Here is another amazing women artists/feminism centric project: the Feminist Pop-Up Festival. Share, support, and help in any way you can. For a further explanation of the project here is the press release or you can visit their Kickstarter page HERE.
We are thrilled to announce the premier of the FEMINIST POP UP FESTIVAL, a DIY...
January 2013
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Vivid vivisection by the venerable Cindy Sherman,...
The Vivisector, curated by Todd Levin, sets out to investigate two distinct bodies of photographic work by the infamous female artist Cindy Sherman. Firstly ‘Sex Pictures’ (1989-92) and ‘Broken Dolls’ (1999), which both explore mannequins, prosthetics and dismembered or reconstructed figurines. I never tire of Sherman’s oeuvre but as far as I’m aware, this is the first exhibition to...
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Exhibition Review: Isa Genzken; as her own ‘World...
In an interview published in issue 99 of Frieze magazine Isa Genzken recalls that the first piece of art that really mattered to her was; ‘the vision of the inside of my mother’s womb before I was born’. I cannot recall the interior of my own mother’s womb, but wonder if it’s a disquieting as Genzken’s radically inventive artistic creations, where pop images meet neon furnishings to produce...
December 2012
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